How does light move through stone? I try to push past stone's identity as gravity-bound. Can flight or movement be suggested? Can architectural forms be invested with living skin and bone? I am currently working on a large arcing skeleton of steel, like the frame of a house or ship, on it, carved stone suggesting rectilinear muscles, and the feather and tissue which hint at the pull toward flight.
I'm intrigued by the ways in which human art, architecture, and design resonate with natural influences. One of my favorite resources is a very old Douglas Fir living on the land I occupy. When I lie on the ground and look up, it provides infinite intersections of line. Light presses in as its own entity. We don't say, "that branch is in the wrong place." The tree prompts me to ask myself, how can I achieve that integrity and excitement in my art?
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